The Mandrake
The Mandrake
Herman, a farmer content to live out his life alone out in the woods, tends his garden day in and day out. Except for the regulars that come to his market to buy his giant carrots and radishes, he rarely gets visitors. When a witch approaches his cottage one day, asking for a special ingredient and supplying a spell, he is understandably shaken. He wakes up the next morning to the cries of a screaming baby, unaware that his life has taken an incredible turn. Inspired by the work of Beatrix Potter, Ernest H. Shepard, and other children’s book illustrators of the 20th century, The Mandrake relied heavily on the hands of its artists. Hand-drawn characters, backgrounds, shadows, props, and effects populate the film and fill out the small world in the woods. Special care was taken to create a bond between the titular Mandrake and Herman, drawing inspiration from the experiences of our faculty advisor as a young mother. Powered by the imaginations of many incredible women, this film went from concept to animation to post-production in the inspiring city of Savannah, Georgia.
My role
For The Mandrake, I had the role of Sound Supervisor and Sound Mixer. My tasks included: keeping a close relationship with the animation team, working closely with the composer Tyler Grow and sound designer Carly Lewis, conducting frequent meetings with the animation and sound team in order to ensure that we were keeping on schedule for the due date and release date of The Mandrake, mixing the final sound effects pass with the score in ProTools in order to fix any last-minute volume adjustments, panning, reverb, and automation. I also kept track of various other organizational and administrative duties.
A unique aspect of The Mandrake is that this animation was completed 100% virtually. The Mandrake entered post-production during the first quarter that SCAD went completely virtual. This meant that I as well as my team no longer had access to our sound libraries, ADR studios, mixing boards, and more. However, with a lot of perseverance, optimism, and encouragement from our professors and mentors, we overcame those challenges and completed this award-winning animation!
Awards and Offical Selections
Project Workflow & Session Files
Offical Credits
Date: SCAD Spring 2020
My Role: Sound Supervisor & Mixer
The Mandrake Created at Savannah College of Art and Design
Directed by: Quincy Baltes
Produced by: Katlyn Jansen
Created by: Arden Mayer, Maria Migalko, Stephanie Verhelst, Andrea Cortez, Gaby Gonzalez, Maeve Shea, Olivia Taylor, Jane Morrison, Jenna Fowlow
Original Score by: Tyler Grow
Sound Editing by: Carly Lewis
Sound Supervision by: Elizabeth (Liz) Moore
Additional Compositing, Animation, and Layout by: Ryen Goebel, Bruno Mendonça, Marco Elizalde